The project led by Alina Quintana — a dancer with a professional career in Cuba and a classical ballet teacher trained in the Vaganova method — continues to grow with the opening of a new studio in Barcelona. After establishing her concept in Milan, this new space marks another step forward in the development of her Danza Clásica No Under 40 method.

Her approach is rooted in an innovative vision: bringing classical ballet closer to mature women through a methodology that is thoughtfully adapted, respectful of the body, and technically structured. Rather than offering a simplified version of the discipline, the method seeks to preserve the essence of classical dance while taking into account the body, the pace of learning, and each student’s life experience.

This vision has shaped a community and a project with a strong identity, also reflected in her book Danza Clásica No Under 40, where she shares the conceptual and emotional foundations of her methodology.

ISA ballet barres at the heart of the practice

The new Barcelona studio, located on Via Laietana, a central avenue connecting the historic city centre with the seafront, has been conceived as a functional and welcoming environment where ballet barres play a central role. The choice of equipment reflects the need for versatile solutions, capable of adapting to different working dynamics and groups of women with diverse profiles.

For this project, Alina Quintana has once again chosen our height-adjustable mobile ISA ballet barres, also used in her Milan studios. Their design allows for flexible studio configurations, facilitating technical work, easy height adjustment, and comfort in group sessions. The overall stability, combined with the precision provided by Melis pine wood, ensures confidence for consistent and safe practice.

Beyond the studio: a community that also comes to life on stage

The Danza Clásica No Under 40 method also extends beyond the classroom through workshops and events designed to offer students a broader experience — one that connects not only to learning, but also to emotion, celebration, and performance.

One such event took place at the Teatro del Popolo in Gallarate, where Alina Quintana brought her students together for an open session that transformed technical work into a shared experience, showcasing the evolution of her community. These initiatives reinforce the idea that classical ballet can become, even later in life, a powerful form of expression, confidence and personal rediscovery.

At Dinamica Ballet, we are proud to be part of projects like Alina Quintana’s — initiatives that bring classical ballet to mature women through a thoughtful, safe and purpose-driven approach. Projects that understand the importance of respecting each student’s body, rhythm and experience, opening the door to a more conscious, personal and expressive way of dancing.

The Latvian National Opera, one of the most prestigious cultural institutions in the Baltic region, has long championed excellence in the performing arts from its historic home in the heart of Riga. Within its artistic structure, the Latvian National Ballet has become a key player in the European dance scene, blending classical heritage with a contemporary perspective. For over a century, the country’s only professional ballet company has trained generations of dancers and choreographers, keeping the spirit of ballet alive through passion, discipline, and creativity.

Under the artistic direction of Aivars Leimanis, a central figure in Latvia’s cultural landscape, the company continues to expand its celebrated repertoire while maintaining the highest standards in technical preparation. Leimanis played an important role in the selection process of our ballet barres, strengthening a collaboration that began fifteen years ago and has now been renewed by the Latvian National Opera.

At Dinamica Ballet, we are proud that such a respected institution has chosen our products once again. Our height-adjustable ISA ballet barre and the professional Avant model have been added to four existing Maurice premium barres. These barres now equip their rehearsal studios, offering the dancers the safety, stability, and freedom of movement required for daily training and touring.

Today, principal dancers like Yuliya Brauer and Elza Leimane shine both in Latvia and internationally, while renowned choreographers such as Edward Clug, Krzysztof Pastor, and Aivars Leimanis himself shape a repertoire that evolves without losing its artistic roots. We thank Leimanis once again for choosing our products, and we are truly grateful to the Latvian National Opera for its trust since 2011. We hope our barres will continue to support the growth and international reach of the Latvian National Ballet.